Keys In Their Place(s)

This is something very small, but I feel like I should have known it by now. On German and English keyboards, the "Z" and "Y" keys are in the opposite places.

I knew there were extra characters for accented vowels -- but I'd never noticed the Y and Z. Makes perfect sense, though -- Z is a much more common character in German than English, while Y is much less so.

(By the way, isn't that Torpedo handsome? The one below is my favorite. Via.)

What I'm Thinking About

Cornelia Vismann, from Files:

Those who work with records are familiar with the problem: files pile up on desks, accumulate in offices, and fill attics and basements. Though registered, their order collapses time and again; though collected, quashed, dispatched, sold, shredded, or destroyed in some other way, they keep mushrooming. Their incessant proliferation seems a natural phenomenon. Masses of paper arise and merge into mountains that join together to form entire mountain ranges. Floods of paper empty into oceans: ravines flanked by shelves cut through impassable terrain. Those brave enough to traverse this paperscape measure the amount of files in meters, kilograms, or basket loads. As a rule, however, it is impossible to count the number of files, for unlike books, files are not discrete or enumerable units. They can appear in all shapes and forms: as loose pages, lying in little boxes, wrapped in packing paper, or enclosed in capsules; they may present themselves as bundles tied with a string or assume the shape of vertical folders ready to enfold anything that can fit between two paper covers. Reference may be to a single file, a procedure covering several files, or the entire content of an archive. Files are the variabIes in thc universe of writing and the law.

Took A Long Time to Come

The Zombies, "This Will Be Our Year"

The Renaissance: It's New To You!

A few new blogs in my RSS on the early modern period, esp. history of the book: Mercurius Politicus and Wynken de Worde. WdW won the Cliopatria Award for Best New History Blog -- I think I found MP through WdW. Anyways, already some of my favorite book/academic blogs to read, well worth checking out.

The Sighing Motorway

-- The Clientele, "Reflections After Jane"

News In Language

It's becoming clear that the continuing raison d'etre of Short Schrift is as a repository for posts that are too nerdy for Snarkmarket -- which is to say, very nerdy indeed.

So! Here is the latest in the world of language, ranging from least to most nerdy.

1. Lexical Gap. Paul Krugman's looking for a word to describe Alberto Gonzales's self-pity: "I consider myself a casualty, one of the many casualties of the war on terror." Krugman's definition-in-search-of-a-concept: a "person who considers his mild discomfort the equivalent of torture, crippling injury, or death for other people." Bonus nerd points: I spent a half an hour combing the OED in search of such a word. No dice. (Besides "self-pity.")
2. Slate actually has a really good article about different takes on spell-check technology, contrasting Word's highly prescriptive (and in-principle highly limiting) to Google's highly descriptive (and in-principle highly permissive) approaches. I actually think that Google's algorithm-driven model could actually be tweaked to be more vigilant than Word, especially by finding and flagging common errors in phrases where homophonic misspelling is rampant. But would normalizing spelling at the level of the phrase just reinforce clichés? I think about this stuff a lot.
3. The International League of Antiquarian Booksellers has the great reference work ABC for Book Collectors available as a PDF, free to download for noncommercial use. What's great about the ABC is that it's actually fun to thumb through, especially if you like the dry reductive wit of a relatively disillusioned Cambridge scholar and book lover. (Rachel, I'm looking at you.)
   

Ars Amatoria

I have a soft spot for Nerve's "Dating Advice From..." column, especially when it's advice from nerds. This week it's "classics majors." Why not "classicists"? Apparently, actual classicists date no one.

Anyways, it's filled with bad Mel Brooks-style jokes -- "Is that a scroll under your toga or are you just happy to see me?" could only be salvaged if it were made extra-nerdy ("Senator, is that a hardwood scroll under your tunica laticlavia, or is this symposium turning into an orgy?").

But some of them are actually pretty good, especially from the people who seem to remember their reading. Bekah, 27, looks to Ovid: "Although some of his moves are a little creepy, at least he has suggestions on what to do while watching gladiators. Hint: pretend her skirt is dirty, bend down to pick it up, then take a peak at her goods. If she doesn't slap you, you're in." And my favorite is Alex, 22:

What has being a Classics major taught you about dating?
Probably that some people are meant to be together. There's a story in the Theogony about it. Pretty touching, romantic stuff. Oh, and that women are evil and to be careful of their tricks.

Yes, I've always felt that The Odyssey was more of a how-to than anything else. That's why whenever I go anywhere where I might be tempted to do something I shouldn't, I bring binding rope, wax for my ears, and a crew of stout sailors to bind me to the mast of our ship. It's cut my nacho consumption by at least one third.

The Cup Runneth Over

Some of these links have been cocooned in my RSS reader for over a month, waiting for their posts to spring forth, like infant alien monsters from John Hurt's chest.

• Al Filreis, "whence the snark?"-  Eight years of an awful presidency has generated the super-skepticism - the hypersatirical state of public political (and to some significant extent cultural) commentary - and that, in the most general way, makes sense. Harding and Coolidge certainly created, or at least contributed to, Roaring Twenties ironic hilarity, flapperistic farce. But this era of snark happened to coincide with the emergence of the web, the proliferation of voices, the radical democratization of the commentariat, 1000 blogs blooming, social networking in which your "Friends" are your ready audience for daily expressions of your "status," podcasts made in the breakfast room recorded on a Radio Shack microphone plugged into a $600 computer. Bush + web 2.0 = snark.
• Rebecca Tuhus-Dubrow, "Group Think" - The boom in online research may actually have a "narrowing" effect on scholarship. James Evans, a sociologist at the University of Chicago, analyzed a database of 34 million articles in the sciences, social sciences, and humanities, and determined that as more journal issues came online, new papers referenced a relatively smaller pool of articles, which tended to be more recent, at the expense of older and more obscure work. Overall, Evans says, published research has expanded, due to a proliferation of journals, authors, and conferences. But the paper, which appeared in July in the journal Science, concludes that the Internet's influence is to tighten consensus, posing the risk that good ideas may be ignored and lost - the opposite of the Internet's promise.
• Ken Johnson's (unbelievably belated) obituary of Fluxus artist George Brecht: In the mid-1950s, following the lead of Jackson Pollock, Mr. Brecht produced paintings using chance operations and materials like bed sheets, ink and marbles. In 1958-59, he attended a class in experimental music composition taught by John Cage at what was then the New School for Social Research in New York. Soon he was producing compositions even more radical than those of Mr. Cage. In the early 1960s, Mr. Brecht taught in what was then the unusually progressive art department of Rutgers University, along with Mr. Hendricks, Allan Kaprow (who became known as an inventor of the “happening”) and Robert Watts, who also became a Fluxus artist. Mr. Brecht’s first solo exhibition, “Toward Events: An Arrangement,” was at Reuben Gallery in New York in 1959. During the next five years, he participated in many group exhibitions and performances in New York. His work “Repository” (1961), a wall cabinet containing a pocket watch, a thermometer, rubber balls, toothbrushes and other objects, was included in “The Art of Assemblage,” the famous 1961 exhibition at the Museum of Modern Art, and the museum later bought it. Nine years later, Mr. Brecht was included in “Information,” another landmark show at the Modern.
• Tim Blanning, "Facing the Music": For composers, too, copyright protection is very much a creation of modern times. Until deep into the 19th century, piracy of the most flagrant kind was the norm. As soon as a score was published, it was liable to be copied right across Europe without any kind of payment to its creator. Moreover, unscrupulous publishers often borrowed the identity of prestigious composers to add allure to slow-selling catalogue items. In Paris, in 1789, the Bohemian composer Adalbert Gyrowetz went to a concert to hear a symphony advertised as being by Haydn - and found himself having to sit through one of his own com positions. Two years earlier, one of the more respectable publishing houses, Breitkopf & Härtel of Leipzig, advertised for sale 96 symphonies by Haydn, even though at that time he had written fewer than 80. If modern copyright protection had been in place in Germany in the middle of the 19th century, Richard Wagner would have been a rich man. As his biographer Ernest Newman pointed out, it was the system that made him a beggar - and then condemned him for being a debtor.
• Neal Pollack, "What If LeBron James and Wolverine Joined the New York Knicks": After LeBron's November visit to Madison Square Garden, the New York tabloids responded predictably, with headlines like "LeBron Likes What Knicks Are Doing" and "LeBron James' Pal Claims Knicks Are Favorites." It's like New Yorkers are waiting for LeBron to invite them to homecoming. The rest of the basketball punditocracy, meanwhile, has become so obsessed with next-decade scenarios that it's like this NBA season doesn't exist. Hear ESPN.com's Bill Simmons, the voice of today's fan: "The NBA's off-court subplots, in many ways, have become just as fun as anything happening on the court. Because of the Internet, sports radio, team blogs, better information guys and everything else, the whole trade/draft/free-agent market has practically evolved into its own sport to follow. ... The Summer of 2010 (it sounds like a blockbuster movie) ties everything we love about that goofy underbelly into one neat package." In other words, basketball-land has become a real-life Marvel Comics "What If" book.
  

Brief Encounter

So I'm at the Wawa to use the ATM, and on the way out a guy asks me for change.

I say "no, sorry," and walk past.

As I'm a few yards down the street, he says, "You know that redheads are going extinct."

I say, "yeah, that's what I hear."

Then, as I'm almost to the subway to catch the trolley, he yells, "nice to meet you!"

The Monochrome Charm of the Inner Ring

Best line in a movie review this year (at least for me) is from Stephanie Zacharek's review of Clint Eastwood's Gran Turino:

Even for a movie set in the Detroit suburbs, "Gran Torino" has too much of a drab, listless look.

Oh, man; I rolled on the floor at that one.

According to the Hollywood Reporter, Gran Turino was shot (and quite possibly set) in Highland Park.