Monday, March 02, 2009

Amateur Antiquaries of the Future

Sarah Werner at Wynken de Worde:

Where are the antiquaries of yesteryear? Do they now collect twentieth century pulp fiction? Classic sci-fi? Modernist design magazines? Is it too expensive to collect earlier works? Are collectors and antiquaries the same thing, anyway?


Part of a longer, typically smart post about amateur scholars' access to materials -- particularly those electronic databases for which colleges and universities pay through the nose. Vive Digital Humanism!

Papier Collé

1991.155.49_1b.jpg

Jonathan Hoefler on the beauty of collage: Vaughan Oliver (designer for The Pixies et al.), Shinro Ohtake, Eduardo Recife, Chip Kidd, and more.



Above: Joseph Cornell, Untitled Collage.

The Suburbs Strike Back

Andrew Blauvelt, at Design Observer:

The mutual dependency of city and suburb is both physical and psychological. City dwellers and suburbanites need each other to reinforce their own sense of place and identity despite ample evidence that what we once thought were different places and lifestyles are increasingly intertwined and much less distinct. The revenge of the suburb on the city wasn’t simply the depletion of its urban population or the exodus of its retailers and office workers, but rather the importation of suburbia into the heart of the city: chain stores and restaurants, downtown malls, and even detached housing. If the gift of urban planners to suburbia was the tenets of the New Urbanism, it has been re-gifted, returned to cities not as tips for close-knit communities but as recipes for ever more intensive consumer experiences. Suburbia has returned to the city just as most suburbs are experiencing many of the things about city life it sought to escape, both positive and negative: congestion, crime, poverty, racial and ethnic diversity, cultural amenities, and retail diversity. At the same time, cities have taken on qualities of the suburbs that are perceived as both good and bad, such as the introduction of big box retailing, urban shopping malls, and reverse suburban migration by empty nesters, who return to the city to enjoy the kind of life they lived before they had kids to raise. For every downtown Olive Garden there is an Asian-fusion restaurant opening in a strip mall; for every derelict downtown warehouse there is an empty suburban office building waiting to be converted into lofts; the Mall of America is the largest shopping center in the country, but SoHo may be the nation’s largest retail neighborhood; and everywhere we have Starbucks.



Blauvelt's exhibit on suburbia, Worlds Away: New Suburban Landscapes, is at the Walker Art Center in Minneapolis -- in the Target Gallery. Where else?

Sunday, March 01, 2009

The New Media and the New Military

Whoa -- retired Marine officer Dave Dilegge and military blogger Andrew Exum (spurred by Thomas Ricks's new book The Gamble) look at the effect of the blogosphere on how the military shares information and tactics:

Ricks cited a discussion on Small Wars Journal once and also cited some things on PlatoonLeader.org but never considered the way in which the new media has revolutionized the lessons learned process in the U.S. military. [...] Instead of just feeding information to the Center for Army Lessons Learned and waiting for lessons to be disseminated, junior officers are now debating what works and what doesn't on closed internet fora -- such as PlatoonLeader and CompanyCommand -- and open fora, such as the discussion threads on Small Wars Journal. The effect of the new media on the junior officers fighting the wars in Iraq and Afghanistan was left curiously unexplored by Ricks, now a famous blogger himself.


It seems clear that blogging and internet forums disrupt lots of traditional thinking regarding the way information is generated and disseminated -- but it's a testament to how powerful it can change readers'/writers' expectations that that disruption can carry through to the military, the top-down bureaucracy if ever there was one.

In related news, the recent New Yorker article about the low-recoil automatic shotguns mounted on robots was awesome.

Just as at a certain point, the military decided it was a waste to have a professional soldier cook a meal or clean a latrine, we'll come to see it as a waste for a professional soldier NOT to provide decentralized information that can help adjust intelligence and tactics: all soldiers will be reporters. Soon all of our wars are going to be fought by robots, gamers, and bloggers. Our entire information circuitry will have to change.

Saturday, February 28, 2009

The Future of the E-Book Marketplace

Farhad Manjoo's jeremiad about the dangers of the Kindle is, um, weird. Give him points for originality, though -- for Manjoo, the Kindle isn't a joke that nobody will read, or an electronic interloper that will kill the book.

Instead, the Kindle is too good -- which means that Amazon will dominate the market and control book publishing the way iTunes controls the music industry.

The Kindle isn't the first electronic device to impose unpalatable restrictions on users. Until recently, if you wanted to (legally) download a broad range of major-label music for your iPod, you had to buy it from Apple.* (Ironically, it was Amazon that launched the first big online store that sold music without restrictions.) The same goes for video games. You can't play just any game on your Xbox. You can play only the games that have been approved and licensed by Microsoft. Then there's the iPhone, a veritable electronic Attica. The iPhone lets you buy music wirelessly—as long as you buy it from Apple. The iPhone lets you add new programs to your device—though only the programs that Apple approves of. Other than that, you're free to do what you like!

But the Kindle's restrictions are more worrying than those associated with the iPhone, the iPod, and other gizmos. For one thing, if you objected to the iTunes Store's policies, there was always another way to legally buy music for your iPod—you could buy CDs (from Amazon, perhaps) and rip the tracks to MP3. That's not an option for books; there's no easy way to turn dead trees into electrons. Moreover, books are important. As a culture, we've somehow determined that it's OK for a video-game console maker to demand licensing fees and exercise complete control over the titles that get on to their systems. Sure, this restricts creativity and free expression, but if that's the business model that keeps the game business alive, so be it.

But we've come to a different cultural consensus on books. First, we've decided that books should be sharable—when you buy a book, you can pass it along to others freely. In fact, governments and large institutions actively encourage the practice; we build huge, beautiful buildings devoted to lending books to perfect strangers. We've also decided that there should be an aftermarket for books: When you buy a book, you're also buying the right to sell that book when you're done with it. This not only helps people who can't afford new books, it also encourages those who can afford them to buy more—it's much less risky to buy a $30 hardcover if you know you can sell it for $15 in six months. (Amazon is one of the biggest players in the used-book market.) And we'd certainly balk at a world in which your books were somehow locked to the store where you bought them. Say Barnes & Noble signed a deal to sell the next Twilight book at a huge discount. But with a catch—the book would be published in invisible ink, and in order to read it you'd need to buy a special Barnes & Noble black light. This is ludicrous, of course, and no bookstore would ever attempt such a deal. But what's the Kindle other than a fancy digital decoder ring?


I don't understand how Manjoo can move so effortlessly from totally legitimate comparisons -- the answer to this last rhetorical question is that the Kindle is very much like a video game console, and that's a powerfully suggestive way to look at it -- to "ludicrous" ruminations about invisible ink and digital decoders, usw.

We didn't "decide" that books were especially important for our culture and deserved a special status under the law, anymore than we decided that shoes or clothes deserved the same -- we trade and lend those secondhand, too. That's one of the intrinsic benefits (or, if you're a content owner, a drawback) of the technology. And we have, at different points in our history, placed pretty serious restrictions on what can be published, printed, and sold. We fought that out, politically and economically -- and if the Kindle starts to bring unnecessary weight, we'll fight that out too. As, if you haven't noticed, we are everywhere these days -- not least because industrious people are turning dead trees into electrons every day. (It may not be as easy as ripping a CD -- but it can be done.)

Esperanza Spalding

She's not exactly holding a sandwich, but I do love this artist:

Friday, February 20, 2009

How You Really Cope

A program from Penn's Career Services:

Coping with the Stress of Conducting a Job Search in a Bad Economy While Also Finishing a PhD, an M.A. or a Postdoc

Thursday, Feb. 26, noon-1:30
Houston Hall, Ben Franklin Room

In this workshop Meeta Kumar, Associate Director, Counseling and Psychological Services will discuss dealing with uncertainty and the stress it causes those in advanced degree programs -- particularly those in research-focused programs -- as well as strategies on coping. Julie Vick, Senior Associate Director, Career Services will give some tips on conducting a job search in a challenging economy.

Sign-ups are not required. Feel free to bring your lunch.

Yes! A seminar encouraging stress eating! I can weep, rend my clothing, and munch on off-brand Cheetos at the same time. (These are not name-brand Cheetos times.) Couldn't they at least spring for pizza?

Saturday, February 07, 2009

Share The Same Space For A Minute Or Two

I have a theory that you can listen to the music of Talking Heads and actually figure out how to live your life.

Exhibit A, "This Must Be the Place (Naïve Melody)":



Exhibit B, "Life During Wartime":



Exhibit C, "Road To Nowhere":

Monday, February 02, 2009

What Are the New Liberal Arts?

From my other, more frequently-updated blog, Snarkmarket -- a call to arms:

It's 2009. A generation of digital natives is careening towards college. The economy is rebooting itself weekly. We have new responsibilities now -- as employees, citizens, and friends -- and we have new capabilities, too. The new liberal arts equip us for a world like this. But... what are they?

The time is ripe to expand and invigorate our notion of the liberal arts. Is design a liberal art now? How about photography? Food? Personal branding?

We don't want to generate a canonical list, but rather a laundry list. We want pitches for new liberal arts that are smart, provocative, insightful, surprising, and/or funny.

Together, they'll read a little like the course catalog for some amazing new school. (The College of Snarks and Letters? Our endowment is untouched by the financial crisis!)

Please, if you can, pitch in and spread the word.